![]() We know that some people prefer to tune their instruments using a 442-hertz A4, or that some others find it more melodious with a 432-hertz A4. We compute all the notes according to a 440Hz A4. The first setting of our online tuner is rather common, but also extremely important. Set the frequency of A4 to calibrate the online tuner This is why we filled our online tuner with several settings that will allow you to optimize your tuning experience. We wanted to make your online tuning experience as pleasant, easy and as accurate as possible. What are the settings available on 's online tuner? Don't forget to share our website if you appreciate it, and to allow other people to use our online tuner. You can also scroll down to directly hear the strings or the notes that you have to tune!Īnd that's it! Your instruments should be in tune and ready to play. On our specific instrument tuners, we also let you know how close you are from the closest string(s) or the required note. ![]() Our online tuner will pick the closest note and let you know whether you need to tune up or down to reach it. Start playing a note and watch carefully at the meter.If you don't allow us to use your microphone, we won't be able to tell you how to tune your instrument. Click the Start Tuner button, and allow to access to your microphone. ![]() This is how our online tuner will achieve its best results. Place yourself in front of the device - laptop, smartphone or tablet - you're using to access and make sure that the environment is quiet enough. Take your instrument and prepare to play.Click on one of the instruments on the list above, or simply go on and use our generic online tuner that can provide high precision tuning for all sorts of instruments.To tune your instrument online, follow these simple steps: We tried to simplify the process of tuning your instrument online without compromising on the accuracy of our online tuning app. How to use to tune your instrument online?
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The game has 15 in all, all of them able to be upgraded via in-game cash. That cash is earned in typical style: the longer you're able to survive on the road, the more money you earn. Of course, this being a freemium title, Zombie Highway 2 also lets you use real-world cash in exchange for game-gold, though the developers are insistent that "everything.can be unlocked or used for free with a reasonable amount of effort." What's more: "In-app purchases do NOT give players a long term advantage over players who don't make purchases." The more cash you earn, the more upgrades you can buy. One thing is certain: Zombie Highway 2 is tough, especially at first. Zombie highway race and kill allows you to choose your car and upgrade it. ![]() Maybe it's because in most racing games the goal is to avoid plowing into - or scraping alongside - obstacles, but I had a hard time forcing myself to sideswipe overturned cars and the like.īut no matter. Personalize your car by changing its weapon or its armor. Also, you can buy new car models in the store. Kill all zombies in your way, gather as many coins as you can, and upgrade your ride in this amazing game for your phone Controls: TILT the device left and right to. IAP Policy: - Everything in Zombie Highway 2 can be unlocked or used for free with a reasonable amount of effort - In app purchases do NOT give players a. The game is a blast, and definitely worth a look for any fans of zombies, racing, and/or zombie racing. ![]() Indeed, can't get enough of the app-ing dead? Check out 5 iPhone games for zombie lovers/haters. ![]() Once the dining room goes dark, Jing Fong will only operate as a ghost kitchen. Andrew Cuomo announced today that restaurants can expand indoor dining to 35 percent beginning February 26, although it’s not clear whether the restaurant’s banquet hall setup will follow suit. It’s an atmosphere and volume game, otherwise it doesn’t work.”įor nostalgic New Yorkers, Jing Fong’s dining room will remain open until March 7, operating at 25 percent capacity per current state regulations. “Our restaurant is not set up to serve 200 seats a la carte,” says Lam. Large banquets and buyouts, which accounted for half of the pre-pandemic business, never returned. Even if those diners had returned, operating the Jing Fong dining room, with its dozens of dim sum carts being pushed around to various tables, was a losing proposition at 25 percent capacity. In October, the restaurant tried its hand at indoor dining, but reception was lukewarm: the tourists that made up the bulk of the pre-pandemic business had not yet returned to the city. “It’s an atmosphere and volume game, otherwise it doesn’t work,” said Lam. Socially distanced tables and barriers did not mesh with Jing Fong’s business model. Even if the restaurant could have expanded its patio, it would have taken an empty parking lot to bridge the gap in the number of seats lost from pre-pandemic times. Revenue returned with the addition of takeout and eventually outdoor dining, but the restaurant was never able to aggressively build out its patio seating like some other businesses around the city, perhaps in part because it is located directly across the street from the NYPD’s 5th Precinct station house. The dip in sales forced Jing Fong to shutter its dining room on March 10, a week earlier than mandated by New York State. At one point in mid-February 2020, Lam counted just 36 customers in a room that can legally hold 794. But even before any mandates to shut down indoor dining, the restaurant saw its daily check totals plummet, mainly a result of diminished tourism but also because of racism and xenophobia surrounding the coronavirus. ![]() Sales at Jing Fong are down 85 percent year-over-year, which translates to a loss of about $5 to 6 million, according to Lam. A satellite location on the Upper West Side, which opened in 2017, is unaffected by any of the changes. ![]() The iconic dim sum restaurant, which opened in 1978 but moved to its current location at 20 Elizabeth Street, between Canal and Bayard streets, in 1992, has worked out a deal with its landlord to use the kitchen rent-free on a month-to-month basis. “With our drastic decline in sales and mounting losses sustained over the course of a year, we needed to make the tough call to close our indoor dining space and redirect our resources in hopes to continue our operations,” the third-generation owner and manager Truman Lam said in a statement. Following a growing trend during the pandemic, the restaurant has plans to continue operating as a ghost kitchen to fulfill orders for takeout, delivery, and outdoor dining on its patio. Jing Fong, the largest Chinese restaurant in Manhattan, announced today that it would permanently close its dining room on March 7 due to business loss as a result of COVID-19. ![]() If you want the older version of Graphic Equalizer Pro, you can always purchase it directly from the manufacturer's website but it is highly recommended that you go for the latest version since it has received much more attention and popularity after its release and is the most compatible software for both MAC and windows systems. This software is available in the market and can be easily purchased from their website. It would cost a bit more but it would be worth it in the long run as you will not have to keep buying the other upgrades for your mixer and other equipment. Technical Pro Dual 10 Band Professional Stereo Equalizer with Individual LED Indicators. ![]() In a future article I plan to evaluate the sound performance of the receiver-based Audyssey MultEQ XT versus the stand-alone Sound Equalizer with MultEQ Pro and the Outlaw Audio 7075 amplifier. Apply various EQ presets, adjust the gain and bandwidth of specific frequencies, apply high-pass and low-pass filters, eliminate background noise and enhance vocals in one click. The target was 10,000 (at full list prices) for all audio components including the 2500 Audyssey Sound Equalizer. One way to get around this problem is by purchasing the Graphic Equalizer Pro software which also converts the sound files to use on windows. Achieve the perfect sound and quality for your audio or video project with Descript’s audio equalizer tools. However, it would be nice if there was a version of Graphic Equalizer Pro for windows that also converted to use on windows. MAC users can still use Graphic Equalizer Pro since the sound file that it uses is already format for use on MAC computers. If you don't have windows xp, I recommend using a MAC since Windows operating systems are constantly on the verge of crashing or getting completely outdated. ![]() If you want the best and highest quality sound from your music project then you'll need more than Graphic Equalizer Pro. Graphic Equalizer Studio - Offers programmable frequency selection. Voicemeeter Banana - With advanced Virtual Audio Mixer. Bongiovi DPS - With Frequency Visualizer. A window like the one below should appear. Right-click on the icon and a number of options should pop up. locate the sound icon, which is usually located on the bottom right-hand corner of your screen on the taskbar. It only comes with the basics which is just what every beginner digital audio work needs. Top 7 Free Audio Equalizers For Windows 10. Select it and you will find equalizer options. It is great that it comes with Windows pre installed but this doesn't mean that it is everything that you need. The visual design looks like an old fashioned fader control unit making it very intuitive for novices who are just setting up their first computer. Graphic Equalizer Pro is an excellent digital equalizer which lets users to perfect their sound through easy to understand user interfaces. About MoneydanceĮmpower: Free for the basic app Wealth Management services range from 0.49% to 0.89% annually Quicken: $34.99 to $99.99 Moneydance: $49.99 Unique features Features unique to EmpowerĮmpower is the only app on this list that's free to use. But Quicken offers a 30-day unconditional money-back guarantee. There's no free trial available, so you have to pay to download. The Home & Business version adds features for property managers and small business owners. Other major features include investment tracking, retirement planning and bill pay. It also connects to your accounts to automatically download balances and transaction details to your computer. Intuit practically invented computer budgeting programs, so it should come as no surprise that the software is good at this. Most readers would probably need at least the Premier version, which has a $74.99 price tag. Despite this, you still have to pay an annual or two-year license fee to access the latest updates.Quicken offers four Windows versions, ranging from $34.99 for Starter to $99.99 for Home & Business (which is not available for Mac). Unlike Empower, which is web based, you must download Quicken onto your Windows or Mac computer desktop. Intuit, the current owner of QuickBooks and Mint, developed the software but sold it to another company several years ago. That's before most of us had computers, if we were alive at all! It has a lot of history, since the first version came out in 1983. Many people think of Quicken as the original money management app. There's both a web and a mobile version to monitor your money at your computer or on the go. Because it's free, you have nothing to lose by giving it a try. I regularly suggest this free money management app to friends and family. That compounds to tens of thousands of dollars in savings over time. That led me to make some changes, and ultimately I saved $300 per year in fees. When I signed up back in 2012, I used Empower's tools to take a closer look at the investment fees on my mutual funds and ETFs. Just connect your financial accounts and Empower will take care of the rest. Empower breaks down your asset allocation, shows your portfolio performance by account or across accounts, calculates your net worth and gives a high-level overview of your cash flow by category. The free online money tools do an excellent job of helping you understand your investments. The only “string attached” is that the company may try to sell you on its investment services if you have $100,000 or more in investable assets. You can use the investment tools even if you don't pay to use Empower as an investment manager. It's an investment management service that also offers a free personal finance dashboard. Manually defined axes and axes linked to a table are not supported (for manually defined axes, edit the values in the parameter editor, for linked axes, edit the values in the linked table). This allows you to double click the row or column header to edit the axis value at that position. Added another widely requested feature: support for in-place axis editing in tables using internally-defined axes.There's a setting added to preferences to prompt you before updating sync groups. This is useful, for example, for motorcycles which have fuel/spark/etc tables for each cylinder, and you might wish to keep these tables identical across cylinders. This widely requested feature allows you to add scalars or tables to a sync group, which will ensure that changes made to one item in the group are copied to the other items of the group. Made updates to VDF importer to support base offset, EOL in tables, 32-bit, and floating point items.Fixed issue where table color shading disappeared when exiting comapre mode.Fixed crash when double clicking table title.Added the calculated lookup address (the item's offset into the file - the specified address with the base offset applied) to the XDF parameter editors, for reference.Added option in preferences for displayed address to take the base offset into account (the "lookup address") for example in the item summary list, or in the table editor status bar.Entering 90 will increase the selected cells by 90%. Example: entering -10 and executing will reduce the selected cells by -10%. Added "Scale by %" to table and function editor toolbar to make it easier to scale by a percentage.Added percentage compare mode to table and function editors.When changing the active compare bin, the table editor table now updates propertly to show the new compare bin name.Fixed issues with pasting data from Excel/Sheets in various formats.Fixed issue in some cases where changes made to a table or function are not uploaded to emulation hardware while emulating.Settings file storage path now supports unicode.Fixed issue where copying differences in the diff tool when the XDF is encrypted didn't work.Fixed issue where categories > 255 were assigned to XDF items, they weren't loaded correctly from the XDF file.Fixed issue where leaving 0 in the table editor function would cause table functions that do not require input to silently fail.Fixed issue where items weren't placed in the correct category in category view when their category number was greater than 255.Fixed issue introduced in the last release, where selecting a difference in the difference tool didn't track it in the parameter list, and double clicking it didn't open the editor for it.Fixed crash when checking default XDFs if check offset is larger than loaded bin.I was lax in my testing around the recent changes to the difference tool. ![]()
![]() Yet, since you’re already there, why not listen to see what you can learn? Kaponya (1991) warns against psychological deaf spots which impair our ability to perceive and understand things counter to our convictions. Bad listeners make snap judgments that justify the decision to be inattentive. Approaching the task of listening with a positive attitude and an open-mind will make the act of listening much easier. ![]() You’ll be better off determining an internal motivation to be attentive to the person speaking. Telling yourself this is all a waste of time is not going to help you to listen effectively. Of course, distinguishing the speaker’s primary goal, his main points, and the structure of the speech are all easier when the listener is able to listen with an open mind.Įven if you are paying attention, you could be doing so with the wrong attitude, the second A. Once this is done, it becomes easier for the listener to discern what is most important. The key then is for the listener to quickly ascertain the speaker’s central premise or controlling idea. Listening is of the moment, and we often only get to hear the speaker’s words once. While reading a book, or having a discussion with an individual, you can go back and re-read or ask a question to clarify a point. This might be to write “Listen” at the top of a page in front of you in a meeting. He suggests listeners prepare themselves for active attention by creating a listening reminder. Hoppe (2006) advises active listening is really a state of mind requiring us to choose to focus on the moment, being present and attentive while disregarding any of our anxieties of the day. The poor listener grows impatient, while the effective listener uses the extra processing time to process the speaker’s words, distinguish key points, and mentally summarize them (Nichols, 1957). A typical person can speak 125 wordsper-minute, yet we can process up to three times faster, reaching as much as 500 words-per-minute. Yet, tests of listening comprehension show the average person listening at only 25% efficiency. Consider that we can process information four times faster than a person speaks. It is characterized by faster heart action, quicker circulation of the blood, a small rise in bodily temperature” (p. Nichols (1957), credited with first researching the field of listening, observed, “listening is hard work. Paying attention to what a speaker is saying requires intentional effort on your part. We know now that attention is the fundamental difference between hearing and listening. ![]() Scripting: Fixed an issue with race condition that could cause crashes on startup when native code was called into managed code. Platform Audio: No audio output when playing audio Platform Audio: Audio is delayed by ~0,5 sec after starting to play it in the Android/iOS Player PhysX Integration: Rigidbody component's values do not translate to the PhysX calculations when they are being overridden via a script Networking: Addressed a performance regression with UnityWebRequest when connecting to many HTTPS resources at the same time. HDRP: Fixed performance issues in the Reflection Probe inspector. Graphics: Fixed an issue where Mesh Renderers are attempting to be drawn without a vertex position stream. The issue would throw an UI error in the editor console.Ĭontextual Menu: Crash on ContextMenu:Show when clicking on Animation transition gear iconĬore: Fixed a data race inside the job system where weak memory systems could hang when waiting and attempting to steal parallel work submitted from another thread.Įditor: Fix a crash that would occur when reordering some nested lists in MonoBehaviours. ![]() Fixed in 2023.2.0b18.Īudio: Fixed a bug that occurred when selecting a GameObject with an audio source that points to an audio random container. Asset - Database: Editor freezes when PrefabUtility.LoadPrefabContents is called in AssetPostprocessor.OnPostprocessAllAssets for a moved prefabĪudio: Fixed a bug that caused the clip volume in the Audio Random Container window to appear as if it is synchronised with the main volume.įirst seen in 2023.2.0b16. ![]() Another story I've read at least a dozen times is "Why the Bunch Can't Draw", which goes deep into exploring Kominsky-Crumb's tortured relationship to art and creation (more on this story below). One of Kominsky-Crumb's best-ever comics is the hilarious, warts-and-all "Of What Use is a Bunch?", in which she gleefully demonstrates thirteen reasons why she’s an unworthy person (#7: “She is lazy and self-indulgent”). ![]() The book begins with early, somewhat harsh tales like "The Young Bunch" (subtitle: "An Unromantic, Nonadventure Story"), in which Bunch is indeed quite unromantically (but explicitly) deflowered in the back of a car by an attractive lout, and “The Story of Blabbette ‘n’ Arnie", a harrowing account of her parent’s unhappy, abusive marriage and the toll it took on Kominsky-Crumb and her little brother. To wit: an animated version of Kominsky-Crumb appears as a quasi-fairy godmother in the excellent 2015 film of Phoebe Gloeckner's graphic memoir, Diary of a Teenage Girl, officially sealing Kominsky-Crumb’s rep as a genuine legend of underground comix.Īs in the first volume, all the Bunch classics are here. This tendency earned her legions of detractors from the get-go, but also a small but devoted fan base, which has only grown through the years. She consistently eschews the idealized, role model-type imagery championed by a particular branch of feminism in favor of self-deprecating but humorous honesty. Kominsky-Crumb reflexively lays bare intimate details of her life through her cartoon alter-ego, The Bunch, including explicit particulars of her bodily functions and sexual escapades, along with her fears, insecurities, self-delusions, feelings of guilt, and outright self-hatred. Her line appears untrained and often downright crude, but fearlessly committed to paper with a laissez-faire panache. ![]() Unlike some of her critics, I love her in-the-moment, scrawly, obsessively cross-hatched drawings. I became an instant, rabid fan and began seeking out her work, which I found hilarious, inspiringly candid, complex, and full of personality. Specifically, it was her midlife-crisis story, "Ze Bunch de Pareé Turns 40". I first encountered Kominsky-Crumb's comics in an old late-'80s issue of Weirdo. It's been a long, fraught journey and Kominsky-Crumb tells you all about it, in sometimes mortifying, often hilarious, occasionally moving, but always engaging detail. In the 1980s, she settles down into relatively sedate southern Californian domesticity with her (in)famous husband Robert Crumb and their young daughter Sophie, before finally moving to a small village in the south of France in the early 1990s. ![]() She begins with her childhood in a largely Jewish suburb on Long Island, raised by highly dysfunctional, neglectful/abusive parents, then charts her escape into post-college artistic bohemia in the Southwestern desert, then to life in the Bay Area underground comix scene of the late '60s and '70s. Taken together, the stories in Love That Bunch provide a compact, thematically rich autobiography, touching on every important aspect of Kominsky-Crumb's existence: family, sexual obsessions, food, motherhood, art, and various philisophical musings. The new edition features even more vintage comics than the original, plus significant recent work such as the thirty-page "Dream House". And this deluxe hardcover reissue of the original 1990 paperback Love That Bunch is a very welcome return indeed. Aline Kominsky-Crumb, the self-described Yoko Ono of comics-aka "Yoko Buncho"-is back. ![]() Despite being the first song of the set, this features a massive barrage of drum and percussion soloing and now features the blistering twin lead guitars of Santana and Schon together. The group wastes no time getting down to business, opening their set with their Woodstock showstopper, "Soul Sacrifice." Featuring a new prelude section before launching into the familiar opening riff, this is a powerful opener. ![]() Performing choice material from their first two albums as well as introducing new material then currently being recorded for their third album, this set will be a delight to long-term fans and new listeners alike. Over the course of the previous two years Santana had gone from virtually unknown outside of San Francisco to one of the most popular and commercially successful bands on the planet. Despite growing in two directions simultaneously, the group was incredibly tight on stage and more often than not, delivering incendiary performances. On one hand, Greg Rolie, along with several other band members, were emphasizing the hard rocking Latin flavored sound that established the band initially, while Carlos was beginning to grow beyond rock music and was becoming more interested in the spontaneous improvisational elements in the music of John Coltrane and Miles Davis. Following the monumental success of their second album, Abraxas, this excellent quality recording captures Santana as they were just beginning to splinter into two distinctive musical directions. This was a remarkable and all too brief era in the group's history, when the original lineup was not only at its creative apex, but also at a commercial peak, riding high on both the album and singles charts. His addition gave Santana a powerful dual lead guitar attack and injected the band with even more energy. The teenage guitar prodigy Neal Schon, had joined the band six months earlier after turning down an offer to join Eric Clapton's band, Derek & The Dominos. Performing at Bill Graham's legendary Fillmore East midway through the sessions for the band's third album, this Santana performance captures the classic Abraxas lineup at a most inspired moment in time. E veryone was loving it and Santana was definitely impressed and gets super giddy! Goes to show how timeless his music is.Carlos Santana - guitar, vocals Neal Schon - guitar, vocals Gregg Rolie - keyboards, piano, lead vocals David Brown - bass, vocals Michael Shrieve - drums José Chepitó Areas - percussion, conga, timbales Mike Carabello - percussion, conga, tambourine, vocals Thomas "Coke" Escovedo - percussion It might have been the nerves but Lucciano responded with a smile and a shrug- cute! The crowd, along with Santana, up-roared with laughter at the innocent response from the boy. Everyone in the studio was completely vibin’ along to “Samba Pa Ti.” The television host asks the little boy (in Spanish), how it felt to have performed Santana’s music in front of the legend himself. You could hear every note clearly and perfectly- the music was so smooth. The tiny virtuoso was on fire! He plucked along to the guitar with controlled technique. ![]() It was the kind of jam session you expect on a warm summer afternoon. T he crowd was feeling it too as they waived their arms around to the easy listening. He also swayed side to side and clapped along with the foot tapping of the tiny guitarist. With a little Spongebob Squarepants sticker on his acoustic guitar, he gallantly rocked back and forth to the rhythm of “Samba Pa Ti.” Santana watched on from an onstage sofa, clearly proud of the little rock star to be. The 7 year old boy was almost as big as the guitar itself but as courageous as the Mexican rock god beside him. Lucciano Pizzichini was brought onto A Mexican late night show called “Mas Vale Tarde,” in 2008 to perform in front of Carlos Santana. |
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